# Thesis Design ## Dr. [Fania Raczinski](http://fania.uk)
## Title / Topic
Algorithmic Meta-Creativity
Creative Computing and Pataphysics for Computational Creativity
Hongji Yang, Andrew Hugill, Sophy Smith, Jim Hendler
## Journey - started October 2010 fulltime - 1 year interuption 2014 - 2015 - started writing thesis in March 2015 - submitted thesis in December 2016 - viva in June 2017 - submitted corrections September 2017
My PhD was not **practice-based**.
Deliverables
Thesis
-
dr.physics.wtf
1
+
pdf
Artefact
-
pata.physics.wtf
Map
-
pamatamap.com
2
1 Web version: post submission, pre viva
2 Map: post viva
![pata.physics.wtf](imgs/full.png)
![pata.physics.wtf](imgs/proto3screen.png)
![pamatamap.com](imgs/map.jpeg)
## Writing - written in [LaTeX](https://www.latex-project.org/) - [Git](https://git-scm.com/) & [GitHub](https://github.com/Fania/Thesis) for version control and portability - [Thesis Boot Camp](http://www.petafreestone.com/thesis-boot-camp/) @ DMU - heavy use of progress bars and todo lists - 14 chapters, 5 appendices, in 8 parts ([Paris Metro](https://parisbytrain.com/wp-content/uploads/2014/01/paris-metro-mini-map-2014.pdf)) - ~ 60k words (without references + appendices) (113207 words according to turn-it-in) - 411 pages (262 without references + appendices) - see [regulations](http://www.dmu.ac.uk/documents/research-documents/graduate-school/cop-update-feb-2018/regulations/15.-presentation-of-thesis.pdf) Notes: Latex handled the complexity of my project better than Word. I liked having individual files for chapters, yet keep one set of references, table of contents, etc. [Thesis Boot Camp](http://www.petafreestone.com/thesis-boot-camp/) @ DMU (8-10 July 2016)
![progress](imgs/progress-small.jpg)
![draft](imgs/draft.jpg)
![todos](imgs/todos.png)
![github](imgs/additions-deletions.png)
Visualisation by GitHub
Visualisation created using
gource
and
ffmpeg
## Organisation In principle, I followed a **[classic thesis structure](https://www.vitae.ac.uk/doing-research/doing-a-doctorate/completing-your-doctorate/writing-and-submitting-your-doctoral-thesis/structuring-your-thesis)**: | | | |:- | -:| | 1. Introduction | HΣLLΘ WΘRLD | | 2. Methodology | TΘΘLS OF THE TR∀DΣ | | 3. State of the Art | THE CΘRE: TΣCHNΘLΘGIC | | 4. Claims / Contributions | THE CΘRE: TΣCHNΘPR∀CTICΣ | | 5. Critical Analysis / Evaluation | MΣT∀-LΘGIC∀LYSIS | | 6. Conclusion | H∀PPILY ΣVΣR ∀FTΣR | Notes:
### Personalisation I like **structure** and prefer shorter chapters, sections, and subsections. So, I had 14 chapters and 5 appendices in total. - un- / related work and inspirations - transdisciplinary literature review (4 chapters) - claims and contributions (3 chapters) - applications (patadata ontology, digital opera) - future / unfinished work I also added **[interludes](https://dr.physics.wtf/files/FR-thesis-small.pdf#page=145)** containing spare quotes. Notes:
Visualisation
"
Stacked-bar-code
" chart
width proportional to number of pages
top row shows individual
chapters
top row colours taken from map
bottom row shows the different
parts
bottom row colours created using
hex addition
### [Methodology](https://dr.physics.wtf/html/methodology.html) This is the chapter I struggled most with! - computer science (e.g. data, proof, model, build) - arts & humanities (e.g. document, reflect, curate, narrative) - transdisciplinarity - Nicolescu: **"unity in diversity and diversity from unity"** - Hugill & Yang methodology (see [page 62](https://dr.physics.wtf/files/FR-thesis-small.pdf#page=62)) - Edmonds & Candy model (see [Fig. 3.3](https://dr.physics.wtf/html/methodology.html#fig:3.3)) *review
identify
analyse
propose
design
experiment* Notes: I hadn't made decisions about this in my early stages and just did what I did. So in retrospect I had to describe what methodology I used, without really having used one at all. - digital humanities best fit
### [Foundation](https://dr.physics.wtf/html/foundation.html) / [Interpretation](https://dr.physics.wtf/html/interpretation.html) *[foundation](https://dr.physics.wtf/html/foundation.html)
[interpretation](https://dr.physics.wtf/html/interpretation.html)
[implementation](https://dr.physics.wtf/html/implementation.html)* - compare, contrast, critisice existing frameworks - relate them to pataphysics - discuss philosophical issues - introduce interpretation framework Notes:
### [Implementation](https://dr.physics.wtf/html/implementation.html) This mainly described the technical details of [pata.physics.wtf](https:pata.physics.wtf). - outlines design for front-end - explains key code from back-end - presents formal descriptions of algorithms - shows progression from prototypes to final artefact
P(q)
C
= { p ∈ v
0
: 0 < dameraulevenshtein(q,p) ≤ 2 }
Notes:
### [Evaluation / Analysis](https://dr.physics.wtf/html/analysis.html) *Subjectivity*
*Objectivity* **[theory](https://dr.physics.wtf/html/analysis.html#s:theoryanalysis) & [practice](https://dr.physics.wtf/html/analysis.html#pataphysicalisation)** - no traditional quantitative / qualitative data collection (e.g. questionnaires, focus groups, etc.) - corpora, index, algorithms, APIs - philosophical issues, design, biases see [Fig. 12.1](https://dr.physics.wtf/html/analysis.html#fig:12.1), [Tab. 12.3](https://dr.physics.wtf/html/analysis.html#tab:12.3), [Tab. 12.4](https://dr.physics.wtf/html/analysis.html#tab:12.4) Notes: each decision was analysed retrospectively 10k words for this chapter taking pieces out of the context of the subjective artwork and analyse them objectively meronym anectode (during analysis I found that i should have included meronyms and added that into the artefact then)
## Subtleties - Avant-Garde font (sans-serif) - part spirals - chapter poems - chapter contents - naming of headings - design of tables, figures, equations, code - map - chapter summaries Notes: I wanted to bring in as much of the atmosphere of my project into the thesis as possible.
## Viva **Internal:** Simon Emmerson (De Montfort University) **External:** Rachel McCrindle (University of Reading) - took place 6 months after submission - short 20 min [presentation](https://dr.physics.wtf/viva) - overall it lasted around 1.5 hours - was given minor corrections
### Corrections 1. [chapter summaries](https://dr.physics.wtf/files/FR-thesis-small.pdf#page=38) 2. [diagram of thesis](https://dr.physics.wtf/files/FR-thesis-small.pdf#page=39) 3. [sound and music](https://dr.physics.wtf/files/FR-thesis-small.pdf#page=275) 4. move [references](https://dr.physics.wtf/files/FR-thesis-small.pdf#page=289) before [appendices](https://dr.physics.wtf/files/FR-thesis-small.pdf#page=317) 5. include [readme](https://dr.physics.wtf/files/FR-thesis-small.pdf#page=349) in thesis 6. typos Notes: 1. At the end of each chapter: a short summary of where it fits into the whole PhD structure. This to be related to - 2. A diagram of the total PhD structure, showing how the chapters feed the overall PhD: the design, construction and evaluation of the website tools. This pulls everything together to increase the impact of the PhD and its original output. The candidate can decide how best to present this and whether in the Introduction or the Conclusion to the thesis. 3. Sound and music are hardly referred to. In the ‘to be developed in future’ section a paragraph stating this as a given for this thesis but pointing out the potential for its development (possible reference: Hugill). 4. The References should immediately follow the main text before appendices and other such material. 5. The ‘ReadMe’ from the accompanying disc (or other media storage – disc may not be needed in final Library copy – to be checked with the GSO and Library) to be available in the main thesis as an appendix ‘How to run the website software’ – check that it works exactly from the instructions given there. 6. The internal examiner’s copy of the PhD (returned to the candidate at the conclusion of the viva) has marked up some typos for correction. [The examiners commended the candidate for the small number found!]
### [Static Map](https://dr.physics.wtf/files/FR-thesis-small.pdf#page=39) ![dr.physics.wtf/files/FR-thesis-small.pdf#page=39](imgs/map.jpeg) Note:
### [Interactive Map](http://pamatamap.com)
Note:
## Dissemination - poetry reading @ Word (Dec 2017) - IOCT postgrad showcase @ Innovation Centre (Jun 2016) - Creative Computing conference in Oxford (Mar 2016) - IOCT talk for [CAS](http://interactdigitalarts.uk/cas) @ Phoenix (Oct 2015) - IOCT LMS launch showcase @ DMU (Nov 2014) - IOCT PhD showcase @ Phoenix Cube (Aug 2014) - Digital Creativity journal article 24:3 (Nov 2013) - Creativity and Cognition conference in Sydney (Jun 2013) - TDC talk @ DMU (Feb 2013) - CONTENT conference in Rome (Mar 2011)
### Stress
of surface tension fighting against an insurmountable difficulty with great trees spreading over us with decisive emphasis
were you able to pronoune a word that would keep me here we spared not breath or force that is to say our vessel now felt the full force of the ocean waves
the consecrated stream I will show you the map it is my design to show you
pronounce my name but I could not distinguish an articulate word and to decide which way to turn my steps
Notes: performed at Word @ the Y in Leicester, 05 Dec 2017
![](imgs/technology-landscape.png)
![](imgs/sally.jpeg)
Created by Sally Wilson for my thesis
## Thank you I hope this has been **useful / inspiring** to you. Any questions?